Music lessons from The Doctrine of Affections. 1.
August 17, 2010
Paul Headrick knows more about music than anyone we’ve ever met. (Seriously, we would go double-or-nothing on Paul in a music trivia cage match over a posse of plaid-wearin’, vinyl-totin’, PBR-drinkin’, self-proclaimed music experts any day.) So, we thought we’d devote this week’s posts to songs and artists featured in Paul’s short story collection, The Doctrine of Affections. Consider it a free tutorial on the music you’ve always wanted to know about, but never had the energy to Google.
Read. Listen. Enjoy. Then hop on your fixie, put on your Wayfarers, and blow your friends’ minds with your newfound knowledge. You’re welcome.
Before they left, Jerry and Andrea gave Christopher the latest record by The Marcels, which became the first record in Christopher’s collection.
…
Christopher believes that the innocence, optimism, and beauty of doo-wop weren’t a pose, but they weren’t only what they appeared to be; they expressed defiance, insisted that these qualities could withstand the oppression, the humiliations, the decades of crimes against dignity, assaults on identity. In articles, at conferences, he has explained that doo-wop is as political, affirmative, and subversive as soul, hard bob, and gangsta rap.
-from “Highlife” (The Doctrine of Affections)



